Safari Pedals Everything Bundle 2026.05 Mac download

Fox Echo Chorus starts it: a modulated delay that thickens without washing out. The Everything Bundle wraps that with Rabbit Tape, Ladybug Reverb, Planet of the Amps Pack, Time Machine, Cassette Bunny, Sun bear, Yak Delay, Zebra Clipper, Gorilla Drive, and Rhino Reverb. You get the whole Safari Pedals effects line in one package.

macOS 11 and Up, Apple Silicon, VST/AU/AAX

• macOS 11 and up
• Apple Silicon and Intel
• English interface
• VST, AU, AAX formats (check individual plugin docs for host specifics)

What It Sounds Like

The bundle leans into character. Rabbit Tape gives you worn-in cassette wobble. Ladybug Reverb stays small and tight. Planet of the Amps Pack models amp stages with grit. Each plugin does one thing clearly, so you stack them without fighting the mix. Cassette Bunny (added in 2026.05) brings a lofi tape slap that works on drums or vocals.

Working with the Bundle in a Session

A typical mix session starts with drum bus cleanup. I load Dirty Dog Reverb on the room mics first — it's a short, springy plate that glues the kit without adding mud. Next comes Bull Sub Machine on the kick, set to a gentle subharmonic layer. The kick gets weight without losing attack.

On the bass, Fox Echo Chorus spreads the low end just enough to sit under the vocal. The mod delay stays subtle; I let the chorus do the thickness work. For the vocal, I stack Camel Strip for midrange shaping and then Lion Master for final glue. The compressor on Lion Master keeps the level consistent without pumping.

The aux tracks get a different treatment. I send electric guitars through Planet of the Amps Pack for saturation, then into Cobra Fuzz for edge. The fuzz sits on a separate send so I can blend it against the clean amp sound. Reverbs come from Rhino Reverb on a stereo aux — big but not washed out. The decay stays under two seconds in most cases.

Workflow: Building a Lofi Guitar Bus

This task covers a specific sound: worn, warbly electric guitar that sits in the background of a track. Start with a DI or clean amp recording on its own bus.

1. Insert Cassette Bunny on the bus. The wow and flutter adds the wobble.
2. Follow with Rabbit Tape on the same bus. Use the cassette mode with moderate saturation and a touch of low-end rolloff. This gives the tape wear character.
3. Add Yak Delay after Rabbit Tape. Set a dotted-eighth pattern at a low feedback. The delay tail should be quiet enough to blur into the reverb.
4. End the chain with Ladybug Reverb at a short decay.
5. Blend the bus against the dry guitar. The goal is a gauzy, background texture that adds atmosphere without dominating.

Logic Pro AU, Ableton VST3, Pro Tools AAX

The plugins work as standard AU inserts in Logic Pro. In Ableton Live, they show up in the VST3 folder under Safari Pedals. For Pro Tools users, the AAX format loads without wrapper issues on Intel or Apple Silicon.

Use macOS Quick Actions in Logic: save a bus template with Cassette Bunny, Rabbit Tape, Yak Delay, and Ladybug Reverb set to your lofi guitar chain. Load it on any new session with one click.

If you work with stems, load Gorilla Drive on a drum stem for parallel compression. The drive circuit adds harmonics that cut through a dense mix. Pair it with Level-Or on the master bus for final limiting — Level-Or gives you clean level control without coloring the rest of the summed tracks.

For sound design, the bundle integrates with any DAW that reads AU or VST3. Drag a synth pad into Logic, run it through Hawk Phaser set to a slow sweep, then into Zebra Clipper for harmonic distortion. The phaser modulation and clipper clipping work together to make a moving, aggressive texture.